Philip Charrier

  • the 'Hood 2010
  • Delhi 1995
  • Journey 2022
  • 'We Are Open'
  • Essays
  • Gwangju
  • Dawn
  • Tokyo 2007
  • Statement
  • the 'Hood 2010
  • Delhi 1995
  • Journey 2022
  • 'We Are Open'
  • Essays
  • Gwangju
  • Dawn
  • Tokyo 2007
  • Statement

Essays (scroll down for Fukase Journal)

The Trans Body in Christer Strömholm’s Vännerna Från Place Blanche (1983), Photographies 15:1 (2022): 33-56. Co-authored.

The Photographic Gaze Meets the Medical Gaze: Two Cross-Dressing Men in Christer Strömholm’s Place Blanche, Photography and Culture 14:1 (2021): 51-70.

Nakahira Takuma's 'Why an Illustrated Botanical Dictionary?' (1973) and the Quest for 'True' Photographic Realism in Post-War Japan, Japan Forum 32:1 (2020): 56-82.

Taki Koji, Provoke, and the Structuralist Turn in Japanese Image Theory, 1967-70," History of Photography 41:1 (2017): 25-43.

Fuchikami Hakuyo and the 'Manchukuo Pastoral' in 1930s Japanese Art Photography, Japanese Studies 34:2 (2014): 169-92.

On Diane Arbus: Establishing a Revisionist Framework of Analysis, History of Photography 36:4 (2012): 422-38.

The Making of a Hunter: Moriyama Daido 1966-1972, History of Photography 34:3 (2010): 268-90.

'Becoming a Raven': Self-Representation, Narration, and Metaphor in Fukase Masahisa's 'Karasu' Photographs, Japanese Studies 29:2 (2009): 209-34.

Nojima Yasuzo's Primitivist Eye: 'Nude' and 'Natural' in Early Japanese Art Photography, Japanese Studies 26:1 (2006): 47-68.

Research Journal on Fukase Masahisa 2007/08

Part 1

Part 2

Part 3

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